In less than three years, and on 180 stages, from the Paleo to China, Phanee de Pool has become The Swiss star. Her first album, Hologramme, was a revelation and was praised by the media and professionals from the international scene (among others, the Charles Cros Academy and Swiss Music Awards). Amstram, her second album, she is confirming her legend as a unique "slapper." With her frank and velvety French songs, accompanied by her machines, a chamber or symphony orchestra, Phanee de Pool has built up a universe nestled between poetry, pop, slam and rap. Rebellious and therefore free, she claims she loves people. Spectators and the media are unanimous: She’s a giant on stage and has no identifiable model.