Beethoven’s secular vocal works, many rarely heard today, were composed for a variety of reasons. Some were written for marriages, to mark the departure of a friend or to celebrate a name day, while others allude to Masonic imagery or set the words of great literary contemporaries, such as Schiller. The larger canvas of Mehrstimmige italienische Gesänge reflects Beethoven’s studies of Italian word-setting with Antonio Salieri, revealing insights into Beethoven’s achievements during his early years in Vienna.