Esbjörn Svensson reaches into the piano, and plucks the strings, searching for the sound of a guitar. He cautiously experiments with percussive accents, and dives into the depths of the orchestral-inspired forms. Attentive to the necessary considerations of musical balance, he integrates electronic elements into his musical vision, creating an optimal mixture of textures. He supplements his ideas with new harmonic ideas, surprising melodic variations, and catchy motifs. Because his music is the kind of art that doesn’t rely on the safety of a particular style, it is all the more effective.Openness, curiosity, and a little bit of chance are all a part of Esbjörn Svensson’s artistic foundation; "I play piano because we didn’t have any other instrument in the house.

• 1. Dating
• 2. Picnic
• 3. The Chapel
• 4. Dodge the Dodo
• 5. From Gagarin's Point of View
• 6. The Return of Mohammed
• 7. Cornette
• 8. In the Face of the Day
• 9. Subway
• 10. Definition of a Dog
• 11. Southwest Loner