"Every composer has his own musical signature. Trusting the experience that I have gained throughout my thirty-year career as a professional lute player, and as Professor of Lute at the Royal Conservatory of The Hague for the last 15 years, I started to make a selection from all the pieces in the pertinent manuscripts. I let myself be guided by musical intuition, by the essence and beauty of the pieces, and by constantly asking myself the question: do I recognise Dowland's hand in this? The overall qualityof the pieces to choose from was very impressive, and the answer to my question was: yes, I recognise Dowland in these works, without a shadow of a doubt."

Mike Fentross

• 1. Prelude (Mertel 1615 Praeludium 230)
• 2. Fantasia (Mertel 1615 Phantasia 67)
• 3. In Te Domine Speravi (Pl-Wrk 352 Fol. 30r)
• 4. La Batalla (Barbarino P. 368 / Thistlethwaite Fol. 60r)
• 5. Fantasia (Mertel 1615 Phantasia 29)
• 6. Fantasia (Mertel 1615 Phantasia 41)
• 7. Prelude (Hirsch Fol. 15r)
• 8. Fantasia (Hirsch Fol. 67v)
• 9. Fancy (Marsh P. 230)
• 10. Preludium (Cosens Fol. 27r)
• 11. Fantasia (Dd.2.11 Fol. 16r)
• 12. Fantasia (Hirsch Fol. 65v)
• 13. Fantasia (Mertel 1615 Phantasia 19)
• 14. Susanne Un Jour (Wickhambrook Fol. 13v)
• 15. Preludium (Cosens Fol. 24v)
• 16. My Mrs Farewell (Board Fol. 16r)